[ Pobierz całość w formacie PDF ]
.272. Édouard Manet , originally published as  Une nouvelle manière en pein-3ture: Édouard Manet , Revue du XIX Siècle, 1 January 1867, reprinted4in translation in Charles Harrison and Francis Frascina (eds) Modern Art5and Modernism: A Critical Anthology (London: Harper & Row, 1982:629 38): 38.773. The Critic as Artist , Parts I and II, in Plays, Prose Writings, and Poems8(London: Dent, 1978: 3 65): 24 and 63.974. The Impressionists and Édouard Manet , first published in English (orig-10inal French version is lost) in Art Monthly Review vol.1, no.9, 1876,11reprinted in Harrison and Frascina (eds) Modern Art and Modernism:12A Critical Anthology (39 44): 39.1375.Ibid.: 44.14 76. Interview with Emile de Antonio [1970] in John O Neill (ed.) BarnettNewman: Selected Writings and Interviews (Berkeley: University of15California Press, 1992): 307 308.1677. How Modernism Works: A Response to T.J.Clark , in Frascina (ed.)17Pollock and After: The Critical Debate: 78.1878. Manet s Sources, 1859 1869 , MM: 73.1979. Three American Painters , AO: 219.2080.Ibid.: 219 220.2181. Complaints of an Art Critic , originally published in Artforum vol.6,22no.2; October 1967: 38 39, reprinted in Charles Harrison and Fred23Orton (eds) Modernism, Criticism, Realism: Alternative Contexts for Art24(London: Harper & Row, 1984: 3 8): 4.2582.Book Review, originally published in Partisan Review March April261942; reprinted in John O Brian (ed.) Clement Greenberg: The Collected27 Essays and Criticism.Volume 1: Perceptions and Judgments, 1939 194428 (Chicago and London: University of Chicago Press, 1988: 93 95; referredto hereafter as CGCEC1): 93.2983. Abstract Art , originally published in The Nation 15 April 1944; reprinted30in CGCEC1 (199 204): 204.3184.Autobiographical Statement, originally published in Twentieth Century32Authors (New York: The H.W.Wilson Company, 1955); reprinted in33CGCEC3 (194 196): 196.3485. Avant-Garde and Kitsch , originally published in Partisan Review Fall351939; reprinted in CGCECW1 (5 22): 7.3686.Susan Bucks-Morss The Origin of Negative Dialectics: Adorno, Benjamin,37and the Frankfurt School (New York: Free Press, 1977): 131, 188; Theodor38Adorno Aesthetic Theory (trans.C.Lenhardt, London: Routledge & Kegan39Paul, 1984).4087. The Identity of Art , originally published in Country Beautiful November1 1961; reprinted in CGCEC4 (117 120): 118.216NOTES88. Complaints of an Art Critic , in Harrison and Orton (eds) Modernism,1Criticism, Realism: Alternative Contexts for Art: 4.289. How Modernism Works: A Response to T.J.Clark , in Frascina (ed.)3Pollock and After: Then Critical Debate: 75.490.See FTAI: (on Kasimir Malevich) 263; (on Pollock) 337; (on Abstract5Expressionism) 388 389.691. An Introduction to My Art Criticism , AO: 18.Fried is reviewing claims7in his 1965  Three American Painters essay.892.See Fried MM: 568, n.71: and Greenberg  The Case for Abstract Art ,9originally published in Saturday Evening Post, August 1959, reprinted in10CGCEC4 (75 84): 80 81.93. The Identity of Art , CGCEC4: 119 120.1194.Cambridge Dictionary of Philosophy: 885.1295. Arguments about Modernism: A Reply to Michael Fried , in Frascina13(ed.) Pollock and After: The Critical Debate: 85.1496.Arguments in English Marxism (London: Verso, 1980): 28.1597. Arguments about Modernism: A Reply to Michael Fried , in Frascina16(ed.) Pollock and After: The Critical Debate: 85.1798.See Clive Bell  The Aesthetic Hypothesis and  The Debt to Cézanne , in18Art (London: Chatto & Windus, 1931) and Raymond Williams  The19Bloomsbury Fraction , in Problems in Materialism and Culture (London,20Verso, 1997: 148 169).21 99.FTAI: 7.100. The Origin of the Work of Art in Heidegger Poetry, Language, Thought:2218.23101.Adolphe Retté, La Plume (30 May 1896), quoted in Mathieu Robert,24 Varia , Le Réveil June 1896: 415.Clark discusses the anarchist Retté s25diatribe on Mallarmé in  We Field-Women , in FTAI: 128.26102.See Podro The Critical Historians of Art: 26.27103. Towards a Newer Laocoon , originally published in Partisan Review28July August 1940, reprinted in CGCEC1 (23 38): 33.29104.1.Edward Said, The London Review of Books 19 July 2001: 11; 2.30Jonathan Jones, The Guardian 22 April 2003: (G2) 12 13; 3.Adrian31 Searle, The Guardian 17 June 2003: (G2) 10 13; 4.H.Wölfflin, Principlesof Art History 1909, quoted in The Critical Historians of Art 58; 5.32Greenberg,  Towards a Newer Laocoon , in CGCEC1 32 33; 6.Podro,33The Critical Historians of Art: 19.34105. Clement Greenberg s Theory of Art , in Frascina (ed.) Pollock and After:35The Critical Debate: 60.36106.The Critical Historians of Art: 213.37107. Cubism and Collectivity , in FTAI: 215.See Clark Image of the People:38Gustave Courbet and the 1848 Revolution (London: Thames & Hudson,391973).40108.See Nancy Jachec  Modernism, Enlightenment Values, and Clement1Greenberg , Oxford Art Journal vol.21, no.2; 1998 (121 132).217NOTES109.FTAI: 8.1110.PML: 12.2111.Raymond Williams Politics and Letters: Interviews with the New Left3Review (London: New Left Books, 1979), especially  Britain 1956 78 :4361 383 and  Two Roads to Change : 406 437.On culture as  a whole5way of life , see The Long Revolution: 62 63.6112.See Ernst Cassirer Kants Leben und Lehre (Berlin, 1918), discussed by7Podro in The Critical Historians of Art: 181 182.8113. Eye and Mind , in Harold Osborne (ed.) Aesthetics: 85.9114.Cambridge Dictionary of Philosophy: 163.10115.I would speculatively claim that Clark s 1973 study of Courbet is  good11complexity -oriented, still rooted in its author s socialist idealism.His121984 book on Manet is a work  of the break  to allude to Althusser s13distinction between phases in Marx s writings  not towards  science , as14 Althusser had it as far as Marx was concerned, but towards the morethorough-going critical pessimism of Farewell to an Idea (1999).See15Jonathan Harris   Stuck in the Post ? Abstract Expressionism, T.J.Clark16and modernist history painting , in David Green and Peter Seddon (eds)17History Painting Reassessed (Manchester and New York: Manchester18University Press, 2000): 18 30.19116.Robert Morris  Notes on Sculpture , originally published in two parts in20Artforum February and October 1966; in  Art and Objecthood , AO: 15321and see 168, n.2.22117.Ibid.: 168.23118.Absorption and Theatricality: Painting and Beholder in the Age of24Diderot: 104.2526271 Modernism s modern art281.On the retrospection of modern critics and artists, see Thierry de Duve29 The Monochrome and the Blank Canvas , in Serge Guilbaut (ed.)30Reconstructing Modernism: Art in New York, Paris, and Montreal311945 1964 (Cambridge, MA: MIT Press, 1990: 244 310).322. After Abstract Expressionism , originally published in Art International3325, October 1962, CGCEC4 (121 134): 132.343.FTAI: 7.354.Ibid.: 134.365.See Podro s discussion of this in The Critical Historians of Art: 6 7.376 [ Pobierz caÅ‚ość w formacie PDF ]